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People watch TV, go to movies or theater to be entertained. The truth is, everyday life can be rather mundane and boring. Imagine watching a film of somebody going through their typical day. You’d probably fall asleep before the first 10 minutes were up. The fact of the matter is, people’s lives are dull, at least most people’s.

This brings us to the problem of entertainment, especially in the movie or TV business and most especially in the theater. We need our entertainment to be just that, entertaining, yet at the same time we need it to be based in reality. If you were watching a cops and robbers TV show and suddenly you saw your favorite police officer pull out a skate board and chase the criminal down brandishing a laser gun, well, your reality would pretty much be shot to heck and the credibility of the show itself would be destroyed. The shows must be based in reality and yet must still be entertaining. This is a very hard line to walk.

Actors have the hardest job when it comes to bringing reality to a part without putting an audience to sleep. The above example is extreme but the problems can even occur with more subtle things.

Let’s take a scene where the hero cop is interrogating a suspect. For starters, he can’t go throwing him around the interrogation room. There are certain rules cops have to follow and failure to do so can lead to a case being thrown out of court, or worse, a lawsuit against the department. But during the interrogation the suspect finally admits to the crime, most likely a savage murder, and even smiles about it. The hero cop is outraged and he wants to just take this slime and wipe up the floor with him. Realistically he can’t do that. But he doesn’t have to. A good actor can convey that emotion and desire by the look he gives the suspect. Maybe he even starts to go after him but then stops himself, the look of pure hatred for this person in his eyes. That is great acting and how you bridge the gap between dull reality and exciting drama. Mixed in with a tense score and the scene will probably have more impact than if he punched the guy out into next Sunday.

In order to pull off this kind of reality the actor must imagine how he would truly feel if confronted with such a person. Many actors think of things when playing scenes like this that truly do get them angry. Just like when an actor needs to cry he or she thinks of something that makes them very sad. This is a common practice among your more versatile actors.

The truth is, all entertainment, even science fiction, is based in some kind of reality, even if it is the reality of emotions, which we all have. The ability to display those emotions in a realistic, yet entertaining way, is what makes a great actor and a great performance, the kind that we don’t soon forget.

In the course of an actor’s life he is going to meet a lot of people. Many of these people will have a direct or indirect effect on his career. Some, more so than others.

Probably the person who will have the biggest effect on the career of an actor is his agent. Love ‘em or hate ‘em, agents are impossible to live without. By definition an agent is someone who finds work for an actor at a fee of about 10 to 15% of whatever he earns for that job. But an agent is much more than that in reality. An agent is the actor’s mouthpiece. He’s the one who tries to display the actor in the best possible light through his own charm. Agents have to be very good talkers and have personalities that are easy to get along with. As an agent they will have an extensive list of contacts from producers to directors. They use this list to get an actor every chance that they possibly can. And then after the actor gets the job the agent works on the terms of ther contract to make sure that he gets the best deal possible. A good agent will have the actor’s best interests at heart, knowing that the better the deal he makes, the better he makes out as well.

Then there is the casting director. This person can make or break an actor’s career. If an actor can’t get past the casting director he has no chance. Casting directors are specifically hired to find talent for the movie, show or play, whichever the case may be. This is the agent’s first line of contact. These are the people the agent sends photos and resum้s to. These are the people the actor auditions for. Without passing the audition with the casting director, an actor has no chance to meet the next people in line who will determine whether or not he’s going to get the job.

After that we have the actor’s manager. A manager has a slightly different role than the actor’s agent, though there are some similarities in the duties they perform. Both work for the actor with the actor’s best interests in mind. A manager will basically try to find the actor work, give him advice and try to guide his career. He may encourage the actor to try for certain roles and tell him to avoid others. An agent may also do the same, but he is more concerned with getting the contract. Managers look more at the big picture and long term career than the day to day operations. Managers are the ones who give the actor their face that they will show to the public.

Finally, there is the producer. A producer is the one who handles all the behind the scenes details of a production. They bring together the directors, actors and writers and try to make it all work, in spite of the many different personalities involved. It is important that the actor is able to work well with the producer or he can find himself out of work very fast, contract or no contract.

In the world and life of an actor there are indeed many people who he will count on to make sure his career gets off the ground and hopefully makes it to the heights he aspires to.